Відмінності між версіями «Auth / 140 Поле кодованих даних: Зміст і форма твору»
Dubyk (обговорення • внесок) м (Dubyk перейменував сторінку з Auth/140 на Auth / 140 Поле кодованих даних: Зміст і форма твору) |
Dubyk (обговорення • внесок) |
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| Рядок 5: | Рядок 5: | ||
''Інші назви:'' | ''Інші назви:'' | ||
| − | + | CODED DATA FIELD: CONTENT AND FORM OF WORK | |
==Визначення поля== | ==Визначення поля== | ||
| + | Information on the category of content and the form of a work. | ||
| + | Form of work in subfield $b is used only for non-musical works. | ||
| + | Repeatable if the form of work is indicated in different encoding schemes. | ||
| + | ==Наявність== | ||
| + | R O | ||
| − | == | + | ==Індикатори== |
| + | Indicator Value Description | ||
| + | 1 # blank (not defined) | ||
| + | 2 Source of Code | ||
| + | # UNIMARC code Use this value when using a UNIMARC | ||
| + | specified code in subfield $b. | ||
| + | 7 Source specified in subfield $2 | ||
| − | == | + | ==Підполя== |
| + | a Category of Content of Work NR MA | ||
| + | b Form of Work NR O | ||
| + | 2 Source NR MA | ||
| + | ===$a Category of Content of Work=== | ||
| + | 2-character code indicates the broad category of content to which the work belongs. Not repeatable. (EX | ||
| + | 1-11). | ||
| + | The following codes are used: | ||
| + | br broadcast work | ||
| + | ca cartographic work | ||
| + | da choreographic work | ||
| + | el computer work | ||
| + | es software work Subgroup of the code el (computer work). | ||
| + | em multimedia work Subgroup of code el (computer work). | ||
| + | im moving image work | ||
| + | ic cinematographic work | ||
| + | mu musical work | ||
| + | mv vocal work Subgroup of the code mu (musical work). | ||
| + | ob object work | ||
| + | so sounds work | ||
| + | is still image work | ||
| + | ip photographic work Subgroup of the code is (still image work). | ||
| + | te textual work | ||
| + | tl legal work Subgroup of the code te (textual work). | ||
| + | to official communication Subgroup of the code te (textual work). | ||
| + | tr religious work Subgroup of the code te (textual work) | ||
| + | mi mixed work | ||
| + | ===$b Form of Work=== | ||
| + | 2-character code specifying the form or genre of non-musical work. | ||
| + | It contains more precise information on the content of the work than the broad category indicated in | ||
| + | subfield $a (EX 1-4, 8, 11, 12). | ||
| + | Do not use this subfield for musical works (value “mu” or “mv” in subfield $a). Use subfield 128 $a | ||
| + | instead. (EX 5) | ||
| + | When using codes other than the UNIMARC, subfield $2 is mandatory. (EX 1, 2, 3, 4, 8) | ||
| + | Not repeatable. | ||
| + | The following UNIMARC codes are used for forms: | ||
| + | aa bibliography | ||
| + | ab catalogue | ||
| + | ac index | ||
| + | ad abstract or summary | ||
| + | ae dictionary | ||
| + | af encyclopaedia | ||
| + | ag directory | ||
| + | ah project description | ||
| + | ai statistics | ||
| + | aj programmed text book | ||
| + | ak patent | ||
| + | al standard | ||
| + | an laws and legislation | ||
| + | ao numeric table | ||
| + | aq examination paper | ||
| + | as treaties | ||
| + | at cartoons or comic strips | ||
| + | aw conference publication | ||
| + | ax festschrift | ||
| + | The following UNIMARC codes are used for genres: | ||
| + | ba dissertation or thesis (original) | ||
| + | bb technical report | ||
| + | bc literature surveys/reviews | ||
| + | bd dissertation or thesis (revised) | ||
| + | be fiction | ||
| + | bf drama | ||
| + | bg essays | ||
| + | bh humour, satire | ||
| + | bi letters | ||
| + | bj poetry | ||
| + | bk speeches, oratory | ||
| + | bl libretto | ||
| + | bm autobiography | ||
| + | bn individual biography | ||
| + | bo collective biography | ||
| − | == | + | ===$2 Source=== |
| + | Contains a code indicating the vocabulary encoding scheme used in $b. Not repeatable. | ||
| + | Mandatory if $b is present. (EX 1 | ||
| + | ==Notes on Field Contents== | ||
| + | Field 140 is not to be confused with field 145 that contains a categorization reflecting the fundamental | ||
| + | form of communication in which the content is expressed and the human sense through which it is | ||
| + | intended to be perceived. The content type is an attribute of the expression entity, whether the content | ||
| + | and form of work is an attribute of the work entity. | ||
==Взаємопов'язані поля== | ==Взаємопов'язані поля== | ||
| + | 128 FORM OF MUSICAL WORK | ||
| + | AND KEY OR MODE | ||
| + | In the case of musical works, field 128 should be used to add | ||
| + | precision on the form of a musical work instead of A140 $b, | ||
| + | if the value in 140 $a is “mu” or “mv” (EX 6, 7, 10). | ||
| + | 231 AUTHORIZED ACCESS | ||
| + | POINT - TITLE (WORK) | ||
| + | 241 AUTHORIZED ACCESS | ||
| + | POINT - NAME/TITLE (WORK) | ||
| + | 608 FORM OR GENRE OF WORK Fields 140 and 608 are complementary, they can be used in | ||
| + | conjunction, depending on the cataloguing agency’s policy. | ||
| + | Field 140 is dedicated to machine purposes. Field 608 gives | ||
| + | more detail, and it can provide a link to a term in an external | ||
| + | system (EX 1, 2, 8,). | ||
| + | ==Приклади== | ||
| + | EX 1 | ||
| + | 140 ##$ate$broman$2BnF-GenreLitt | ||
| + | 241 ##$3FRBNF11925504$aStendhal (1783-1842)$t≠NSB≠La ≠NSE≠chartreuse de Parme | ||
| + | 608 ##$3FRBNF11940505$aRoman$2rameau-Genre | ||
| + | The code for the form “novel” used in subfield $b is chosen from vocabulary defined by the | ||
| + | Bibliothèque nationale de France for textual works identified in subfield $2. Field 140 is used together | ||
| + | with field 608, which gives a link to a term in an external system. | ||
| − | + | EX 2 | |
| + | 140 ##$ate$bropol$2BnF-GenreLitt | ||
| + | 241 ##$3FRBNF11896014$aChandler, Raymond (1888-1959)$t≠NSB≠The ≠NSE≠big sleep | ||
| + | 608 ##$3FRBNF11932793$aRoman policier$2rameau-Genre | ||
| + | The code for the form “crime novel” used in subfield $b is chosen from the vocabulary Bibliothèque | ||
| + | nationale de France for textual works identified in subfield $2. Field 140 is used together with field 608, | ||
| + | which gives a link to a term in an external system. | ||
| + | |||
| + | EX 3 | ||
| + | 140 ##$ais$bportr$2BnF-GenreIcono | ||
| + | 241 ##$3FRBNF 2131103$aMellan, Claude (1598-1688)$tPortrait du cardinal de Richelieu, à mi-corps, | ||
| + | assis devant une table | ||
| + | The code used in subfield $b for the form “portrait” is chosen in a vocabulary defined by the | ||
| + | Bibliothèque nationale de France for still image works identified in subfield $2. | ||
| + | EX 4 | ||
| + | 140 ##$atl$btraite$2BnF-FormeJur | ||
| + | 231 ##$8frefre$aConvention sur la protection des Alpes$d1991-11-07 | ||
| + | 370 ##$aTraité multilatéral qui a pour objectif à long terme la sauvegarde de l’écosystème naturel des | ||
| + | Alpes et leur développement durable | ||
| + | 731 ##$8freger$aÜbereinkommen zum Schutz der Alpen$d1991-11-07 | ||
| + | 731 ##$8freita$aConvenzione per la protezione delle Alpi$d1991-11-07 | ||
| + | 731 ##$8freslv$aKonvencija o varstvu Alp$d1991-11-07 | ||
| + | The code used in subfield $b for the form “treaty” is chosen in a vocabulary defined by the | ||
| + | Bibliothèque nationale de France for legal works identified in subfield $2. | ||
| + | EX 5 | ||
| + | 128 ##$asp# | ||
| + | 140 ##$amu | ||
| + | 241 #1$3FRBNF13898935$aRespighi, Ottorino (1879-1936)$tFontane di Roma$sP 106 | ||
| + | 370 ##$aPoème symphonique constituant le premier d’un triptyque illustrant les lieux, les époques et | ||
| + | les atmosphères de Rome | ||
| + | This symphonic poem is a musical work (in the 140$a is code “mu”). Therefore, the form of the work | ||
| + | is recorded in subfield 128$a. | ||
| + | EX 6 | ||
| + | 128 ##$aop# | ||
| + | 140 ##$amv | ||
| + | 241 #1$3FRBNF13891412$1200#1$aBerlioz$bHector$f1803-1869$1231##$a≠NSB≠Les | ||
| + | ≠NSE≠Troyens$sH 133A | ||
| + | 370 ##$aOpéra en 5 actes et 9 tableaux, en deux parties : “La Prise de Troie” (actes I et II), “Les | ||
| + | Troyens à Carthage” (actes III, IV et V) | ||
| + | This opera is a musical work (in the 140$a is code “mv”). Therefore. the form of the work is recorded | ||
| + | in subfield 128$a. | ||
| + | EX 7 | ||
| + | 128 ##$acsn | ||
| + | 140 ##$amv | ||
| + | 241 ##$3FRBNF11893887$aBrel, Jacques (1929-1978)$tAmsterdam | ||
| + | 608 ##$3FRBNF13319048$aChanson$2rameau-Genre | ||
| + | This song is a musical work (in the 140$a is code “mv”). Therefore, the form of the work is recorded in | ||
| + | subfield 128$a. Field 140 is used together with field 608, which gives a link to a term in an external | ||
| + | system. | ||
| + | EX 8 | ||
| + | 140 ##$aic$b10508$2frTAV | ||
| + | 231 ##$aPaths of glory$cfilm | ||
| + | 608 ##$3FRBNF11982506$aFilm de guerre$2rameau-Genre | ||
| + | The code used in subfield $b for the form “war movie” is chosen from the vocabulary defined by the | ||
| + | Bibliothèque nationale de France for audiovisual works identified in subfield $2. Field 140 is used | ||
| + | together with field 608, which gives a link to a term in an external system. | ||
| + | EX 9 | ||
| + | 128 ##$abt# | ||
| + | 140 ##$amu | ||
| + | 241 #1$3FRBNF12519700$aDelibes, Léo (1836-1891)$tCoppélia$cballet | ||
| + | 370 ##$aBallet en 2 actes$cIl existe un arrangement pour piano (1870) et une suite d’orchestre par le | ||
| + | compositeur | ||
| + | This ballet is a musical work (in 140$a is code “mu2). Therefore, the form of the work is recorded in | ||
| + | subfield 128$a. The form of work in the authorized access point distinguishes this work from another | ||
| + | work by the same composer with the same title, but in another form (see EX 10). | ||
| + | EX 10 | ||
| + | 128 ##$asu# | ||
| + | 140 #1$amu | ||
| + | 241 #1$3FRBNF12519700$aDelibes, Léo (1836-1891)$tCoppélia$csuite | ||
| + | 370 ##$aSuite d’orchestre tirée du ballet de même titre | ||
| + | This orchestral suite is a musical work (in the 140$a is code “mu2). Therefore, the form of the work is | ||
| + | recorded in subfield 128$a. The form of work in the authorized access point distinguishes this work | ||
| + | from another work by the same composer with the same title, but in another form (see EX 9). | ||
| + | EX 11 | ||
| + | 140 ##$ate$bbd | ||
| + | 241 #1$aValls de Gomis, Estelle (1973-...)$tLe vampire au fil des siècles : enquête autour d'un | ||
| + | mythe$7ba0yba0y$8frefre | ||
| + | 370 ##$aTexte remanié de la thèse de doctorat en littérature, soutenue à l’université Toulouse 2 en | ||
| + | 2003$aPrésence d’illustrations peu nombreuses$aBibliographie (20 pages) | ||
| + | 501 #1 $3FRBNF13577629$5xxxxa$aValls de Gomis$bEstelle$f1973-... | ||
| + | EX 12 | ||
| + | 140 ##$ate$bbm | ||
| + | 241 #1$tMy family and other animals | ||
| + | 501 #1 $3FRBNF11901409$5xxxxa$aDurrell$bGerald$f1925-1995 | ||
| + | ==History== | ||
| + | *2020 New field. | ||
| + | *2022 Text errata. | ||
| + | *2024 New ind. 2, update of $a, $b and examples. | ||
| + | *2025 Update of $b. | ||
== Див. також == | == Див. також == | ||
* [[UNIMARC для авторитетних нормативних записів]] | * [[UNIMARC для авторитетних нормативних записів]] | ||
Версія за 15:35, 29 квітня 2026
Зміст
140 Поле кодованих даних: Зміст і форма твору
Тег: 140
Назва поля: Поле кодованих даних: Зміст і форма твору
Інші назви:
CODED DATA FIELD: CONTENT AND FORM OF WORK
Визначення поля
Information on the category of content and the form of a work. Form of work in subfield $b is used only for non-musical works. Repeatable if the form of work is indicated in different encoding schemes.
Наявність
R O
Індикатори
Indicator Value Description 1 # blank (not defined) 2 Source of Code
- UNIMARC code Use this value when using a UNIMARC
specified code in subfield $b. 7 Source specified in subfield $2
Підполя
a Category of Content of Work NR MA b Form of Work NR O 2 Source NR MA
$a Category of Content of Work
2-character code indicates the broad category of content to which the work belongs. Not repeatable. (EX 1-11). The following codes are used: br broadcast work ca cartographic work da choreographic work el computer work es software work Subgroup of the code el (computer work). em multimedia work Subgroup of code el (computer work). im moving image work ic cinematographic work mu musical work mv vocal work Subgroup of the code mu (musical work). ob object work so sounds work is still image work ip photographic work Subgroup of the code is (still image work). te textual work tl legal work Subgroup of the code te (textual work). to official communication Subgroup of the code te (textual work). tr religious work Subgroup of the code te (textual work) mi mixed work
$b Form of Work
2-character code specifying the form or genre of non-musical work. It contains more precise information on the content of the work than the broad category indicated in subfield $a (EX 1-4, 8, 11, 12). Do not use this subfield for musical works (value “mu” or “mv” in subfield $a). Use subfield 128 $a instead. (EX 5) When using codes other than the UNIMARC, subfield $2 is mandatory. (EX 1, 2, 3, 4, 8) Not repeatable. The following UNIMARC codes are used for forms: aa bibliography ab catalogue ac index ad abstract or summary ae dictionary af encyclopaedia ag directory ah project description ai statistics aj programmed text book ak patent al standard an laws and legislation ao numeric table aq examination paper as treaties at cartoons or comic strips aw conference publication ax festschrift
The following UNIMARC codes are used for genres: ba dissertation or thesis (original) bb technical report bc literature surveys/reviews bd dissertation or thesis (revised) be fiction bf drama bg essays bh humour, satire bi letters bj poetry bk speeches, oratory bl libretto bm autobiography bn individual biography bo collective biography
$2 Source
Contains a code indicating the vocabulary encoding scheme used in $b. Not repeatable. Mandatory if $b is present. (EX 1
Notes on Field Contents
Field 140 is not to be confused with field 145 that contains a categorization reflecting the fundamental form of communication in which the content is expressed and the human sense through which it is intended to be perceived. The content type is an attribute of the expression entity, whether the content and form of work is an attribute of the work entity.
Взаємопов'язані поля
128 FORM OF MUSICAL WORK AND KEY OR MODE In the case of musical works, field 128 should be used to add precision on the form of a musical work instead of A140 $b, if the value in 140 $a is “mu” or “mv” (EX 6, 7, 10). 231 AUTHORIZED ACCESS POINT - TITLE (WORK) 241 AUTHORIZED ACCESS POINT - NAME/TITLE (WORK) 608 FORM OR GENRE OF WORK Fields 140 and 608 are complementary, they can be used in conjunction, depending on the cataloguing agency’s policy. Field 140 is dedicated to machine purposes. Field 608 gives more detail, and it can provide a link to a term in an external system (EX 1, 2, 8,).
Приклади
EX 1 140 ##$ate$broman$2BnF-GenreLitt 241 ##$3FRBNF11925504$aStendhal (1783-1842)$t≠NSB≠La ≠NSE≠chartreuse de Parme 608 ##$3FRBNF11940505$aRoman$2rameau-Genre The code for the form “novel” used in subfield $b is chosen from vocabulary defined by the Bibliothèque nationale de France for textual works identified in subfield $2. Field 140 is used together with field 608, which gives a link to a term in an external system.
EX 2 140 ##$ate$bropol$2BnF-GenreLitt 241 ##$3FRBNF11896014$aChandler, Raymond (1888-1959)$t≠NSB≠The ≠NSE≠big sleep 608 ##$3FRBNF11932793$aRoman policier$2rameau-Genre The code for the form “crime novel” used in subfield $b is chosen from the vocabulary Bibliothèque nationale de France for textual works identified in subfield $2. Field 140 is used together with field 608, which gives a link to a term in an external system.
EX 3 140 ##$ais$bportr$2BnF-GenreIcono 241 ##$3FRBNF 2131103$aMellan, Claude (1598-1688)$tPortrait du cardinal de Richelieu, à mi-corps, assis devant une table The code used in subfield $b for the form “portrait” is chosen in a vocabulary defined by the Bibliothèque nationale de France for still image works identified in subfield $2.
EX 4 140 ##$atl$btraite$2BnF-FormeJur 231 ##$8frefre$aConvention sur la protection des Alpes$d1991-11-07 370 ##$aTraité multilatéral qui a pour objectif à long terme la sauvegarde de l’écosystème naturel des Alpes et leur développement durable 731 ##$8freger$aÜbereinkommen zum Schutz der Alpen$d1991-11-07 731 ##$8freita$aConvenzione per la protezione delle Alpi$d1991-11-07 731 ##$8freslv$aKonvencija o varstvu Alp$d1991-11-07 The code used in subfield $b for the form “treaty” is chosen in a vocabulary defined by the Bibliothèque nationale de France for legal works identified in subfield $2. EX 5 128 ##$asp# 140 ##$amu 241 #1$3FRBNF13898935$aRespighi, Ottorino (1879-1936)$tFontane di Roma$sP 106 370 ##$aPoème symphonique constituant le premier d’un triptyque illustrant les lieux, les époques et les atmosphères de Rome This symphonic poem is a musical work (in the 140$a is code “mu”). Therefore, the form of the work is recorded in subfield 128$a. EX 6 128 ##$aop# 140 ##$amv 241 #1$3FRBNF13891412$1200#1$aBerlioz$bHector$f1803-1869$1231##$a≠NSB≠Les ≠NSE≠Troyens$sH 133A 370 ##$aOpéra en 5 actes et 9 tableaux, en deux parties : “La Prise de Troie” (actes I et II), “Les Troyens à Carthage” (actes III, IV et V) This opera is a musical work (in the 140$a is code “mv”). Therefore. the form of the work is recorded in subfield 128$a.
EX 7 128 ##$acsn 140 ##$amv 241 ##$3FRBNF11893887$aBrel, Jacques (1929-1978)$tAmsterdam 608 ##$3FRBNF13319048$aChanson$2rameau-Genre This song is a musical work (in the 140$a is code “mv”). Therefore, the form of the work is recorded in subfield 128$a. Field 140 is used together with field 608, which gives a link to a term in an external system. EX 8 140 ##$aic$b10508$2frTAV 231 ##$aPaths of glory$cfilm 608 ##$3FRBNF11982506$aFilm de guerre$2rameau-Genre The code used in subfield $b for the form “war movie” is chosen from the vocabulary defined by the Bibliothèque nationale de France for audiovisual works identified in subfield $2. Field 140 is used together with field 608, which gives a link to a term in an external system. EX 9 128 ##$abt# 140 ##$amu 241 #1$3FRBNF12519700$aDelibes, Léo (1836-1891)$tCoppélia$cballet 370 ##$aBallet en 2 actes$cIl existe un arrangement pour piano (1870) et une suite d’orchestre par le compositeur This ballet is a musical work (in 140$a is code “mu2). Therefore, the form of the work is recorded in subfield 128$a. The form of work in the authorized access point distinguishes this work from another work by the same composer with the same title, but in another form (see EX 10). EX 10 128 ##$asu# 140 #1$amu 241 #1$3FRBNF12519700$aDelibes, Léo (1836-1891)$tCoppélia$csuite 370 ##$aSuite d’orchestre tirée du ballet de même titre This orchestral suite is a musical work (in the 140$a is code “mu2). Therefore, the form of the work is recorded in subfield 128$a. The form of work in the authorized access point distinguishes this work from another work by the same composer with the same title, but in another form (see EX 9). EX 11 140 ##$ate$bbd 241 #1$aValls de Gomis, Estelle (1973-...)$tLe vampire au fil des siècles : enquête autour d'un mythe$7ba0yba0y$8frefre 370 ##$aTexte remanié de la thèse de doctorat en littérature, soutenue à l’université Toulouse 2 en 2003$aPrésence d’illustrations peu nombreuses$aBibliographie (20 pages) 501 #1 $3FRBNF13577629$5xxxxa$aValls de Gomis$bEstelle$f1973-... EX 12 140 ##$ate$bbm 241 #1$tMy family and other animals 501 #1 $3FRBNF11901409$5xxxxa$aDurrell$bGerald$f1925-1995
History
- 2020 New field.
- 2022 Text errata.
- 2024 New ind. 2, update of $a, $b and examples.
- 2025 Update of $b.